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THE DRIEST DESERT IN THE WORLD: A visitor avoids the heat in front of the Humberstone Theater.
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THE DRIEST DESERT IN THE WORLD: A visitor avoids the heat in front of the Humberstone Theater.
A DIFFERENT KIND OF COMEDY: Once again, Hannah Gadsby chose to pursue comedy in an unique way.
ELEGANT OUTFITS: The dancers in “Realize” wore shiny leotards and magenta skirts.
This week, justArts&Culture spoke with Mariel Guzman ’19, the president of Voices of Soul and Minnie Norgaisse ’19, music director of Voices of Soul. Voices of Soul held their Collegiate A Cappella of Boston Invitational on May 4.
This spring, the Rose Art Museum is featuring the artwork of renowned modern artist Howardena Pindell. Her artwork is diverse both in media and in message. Most of her work can be described as abstract paintings inspired by personal events or societal moments during her life, though the exhibit does not limit itself to the paintings, including videos and collages.
From May 2 to 4, Brandeis hosted four showing of “This Place/Displaced,” a theater production that focus on the issue of gentrification and displacement in the Greater Boston area. The event was able to happen thanks to the effort of the Brandeis Univeristy minor in Creativity, the Arts, and Social Transformation. Last week, justArts & Culture spoke to Anneke Reich, the producer of “This Place/Displaced” and a Brandeis alumna, and Joshua Glenn-Kayden, the director of the show.
This past Friday, I stepped out of the cold winds of nature and into the warmly lit room displaying “Nature,” a themed collection of outfits and garments curated by four members of the Fashion Design Club. In addition to nature-inspired outfits ranging from cozy to chic to avant-garde, the room was tastefully set up with a backdrop inspired by those found on the red carpet, a quilt square designing station and a table with light food and refreshments. Club president Tyffany English ’19 led us around the room located on the third floor of the Shapiro Campus Center, explaining who designed each piece and how each piece was inspired by nature.
As expected, when I went to see “Gloria Bell,” directed by Sebastián Lelio, the theater was entirely empty — a sharp contrast to the sold-out “Avengers: Endgame” showings just across the hall. However, I still had high hopes for the underdog. The film’s two leading cast members, Julianne Moore and John Turturro, have been acting for nearly three decades, with more than enough proof of their talent with films like Moore’s “Boogie Night” and Turturro’s “Barton Fink”. Lelio’s previous film, “A Fantastic Woman,” was also well-acclaimed. “Gloria Bell” follows the titular character, a middle-aged divorcee who wants to rediscover her life while encountering an unexpected romance with Arnold, someone who shares a similar experience with her.
This years Adagio Dance Company spring show was titled “Dancing with the Stars,” showcasing talent that was enough to blast anyone watching into space. While the individual dance numbers did not adhere to a common theme, it did feel like we were watching stars up on the stage of Levin Ballroom on April 17.
THE REAL LIFE STORY: All seven stories in This Place/Displace are based on real stories of residents of the Greater Boston area.
Howardena Pindell, “Untitled,” 1967. 66 x 71 inches, Framed: 62 3/4 x 60 1/8 inches, Acrylic on canvas. Courtesy of the artist and Garth Greenan Gallery,New York
SHADES OF COLOR: The light coordination ensured that the backdrop reflected the theme of each dance.
DIVERSE AND INCLUSIVE: The event gave
COLOR AND STYLE: Under the theme of nature, students worked with a variety of materials to create fashion pieces.
WASTED TALENTS: From the cast, including Julianne Moore, to the director, the film was very promising on paper, but did not deliver
This past Thursday, I attended the Department of Theater Arts’ production of “The Bacchae,” which tells the story of Dionysus, son of Zeus and Semele, and his revenge against Pentheus and all others who have slandered his name and denied his status as a god. As someone with very little knowledge of Greek mythology — I haven’t even seen the Percy Jackson films — the play was captivating. Before the show even started, the set design immediately stood out. Assistant Professor of Theater Arts Cameron Anderson (THA) and all those involved in creating the backdrop produced a remarkable work that alluded to what was to come from the performance. The remarkable nature of the set became more evident when Dionysus, played by Rose Archer ’20 and Dan Souza ’19 entered the stage and climbed on the crafted walls to proclaim their status as the god Dionysus. In addition to the set design, the musical numbers were well executed, as the chorus took the stage and the aisles to serenade the crowd. Daniel Rodriguez, Stephanie Fleischmann and Daniel Kluger created melodic accompanying pieces that enhanced the theatrical experience. The band was also an integral part of the musical ensemble; from the conductor to the violin, each individual successfully generated the mood that aided in carrying the story along.
Art & Text in the Archives, an event hosted at Brandeis University Archives & Special Collections as a part of the Leonard Bernstein Festival of the Creative Arts, showed many texts that ranged in design and age for all to enjoy.