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COLOR AND SHADES: The set of the show was used as the background of the performance, changing color with different lighting.
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COLOR AND SHADES: The set of the show was used as the background of the performance, changing color with different lighting.
Members of the crowd wave their hands up in hopes of receiving a free t-shirt from the Campus Activities Board. The front of the t-shirt states, “How you gonna be sad on Springfest?”
Aminé sings to the crowd who had been waiting for him to perform all day. Throughout his riveting performance, Aminé sang his hit songs “Caroline” and “Spice Girl” and the crowd went wild.
BEATS AND RHYTHM: Students provided a variety of performances, from a fashion show to taiko drumming.
The DJ told the crowd to wave their hands in the air.
JustArts: Tell me a bit about yourself and your experience with theater.
Howardena Pindell’s “‘Till Brinam Wood Removes to Dunsinane’ (Macbeth, Act 5, Scene 3)” (1991) effectively draws the audience’s attention, first focusing their eyes on the yellow center where the large text “Have A Nice Day” starkly contrasts with the smaller words “propaganda,” “death” and “double standards” surrounding it. Throughout the work, Pindell uses the same technique of eye-catching contrasts. In the black background, bright, blood-red handprints break up the blackness and draw the public’s eye to certain words neighboring them. Phrases like “Full Air Explosives,” painted in red, appear next to words like “Silence,” written completely in white. Here, a word with loud and destructive connotations appears next to “Silence,” the result of destruction, implying a lack of life.
“Drag queens are people, too!” said Plane Jane, an established performer from the Boston area. She opened this year’s Triskelion’s Annual Drag Show with what seemed to be a wink to those old Rocky Horror Picture Show midnight screenings. Next to her, co-host and drag king Jayden Jamison welcomed the eager audience to an intergalactic room that looked nothing like Sherman Function Hall.
In the past four years, no show has ever sold out all five of its showings. Producer Gabriel Walker ’19 should pat himself on the back for amassing the largest possible turnout for the Undergraduate Theater Collective’s “Mamma Mia!” Hell, I even saw my econometrics professor in the audience watching Director Leah Sherin’s ’19 latest project.
Loud. That is how I would describe my Friday night at Chum’s. This, however, is not a negative attribute. Loud is usually exciting, invigorating, awakening. The concert that I attended was all of these. The MAD Band hosted a jam session with the Bentley Pep Band, and to say the café roared would be an understatement. It’s a good thing the Castle doesn’t have residents anymore, because students were blasting music through their speakers, valves, drums and bells.
Upon walking into to Levin Ballroom, a poster depicting a brightly colored sunset hanging over the ocean with glittering letters spelling out “MATAHARI” caught my eye. As AYALA coordinator Kate Nguyen ’21 explained to me, “Matahari means the sun … [It] implies that we want to look towards a brighter tomorrow.” Each coordinator had their own idea for AYALA this year, but they managed to connect Matahari, the ocean and family under one distinction: connections. By making connections with others, we can build a brighter future for ourselves, but our very first connections begin with those we consider family. The ocean symbolizes the connection between all 11 Southeast Asian countries. Even the audience members were incorporated into the whole design! We were people from various backgrounds, ethnicities and cultures gathering around, connected by the ocean and the sun.
Howardena Pindell, "Till Birnam Wood Remove to Dunsinane" (Macbeth, Act 5, Scene 3), 1991. 82 1/2 x 89 1/2 inches, Mixed media on canvas. Collection of Beth Rudin DeWoody.
STAR OF THE NIGHT: Among the performances, Amber Crossman ’21 stole the show with her singing.
PASSIONATE CAST: In an open cast production, anyone who is interested in performing on stage.
IT’S THE 70S!: The production restored the vibe of the decade it is set in, including the iconic fashion style.
GUEST STARS: The drag show not only feature Brandeis students, but also performers from the Boston area.
GALAXY AND SPACE: A lot of effort was put into set production to create the cosmic vibe for the show.