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FAKE AND REAL: Jac Guerra ’22 and Mitchell Redfield ’20 dive into their characters
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FAKE AND REAL: Jac Guerra ’22 and Mitchell Redfield ’20 dive into their characters
FROM THE PROFESSORS: IBS faculty band “International School of Blues” played to the sound of non-stop cheering.
FASHION FROM ABROAD: The fashion show featured a variety of countries.
The first Stein Night of the semester, held on Feb. 1, garnered a lot of attention for its performers. WBRS: Student Music is a remarkable community that fosters creative musical talents and definitely put on a show that placed listeners on the spectrum of comfort or hypeness. The first performers were a jazz band: The dreamy, colorful trio enacted a calm transition from the normally noisy talking at the Stein into respectful quiet for the performances.
The Rose Art Museum opened up to the public for the first time in 2019 last Friday. The curators chose to honor Howardena Pindell, an underappreciated Black artist who innovatively used materials such as perfume and baby powder in her art and experimented with irregular canvases and unconventional techniques. Throughout her life, Pindell persevered in the art world despite facing the Jim Crow racism of 1960s and 70s. The Rose chose to display a collection of her work which spanned nearly five decades, ranging from homages to her father to work surrounding contemporary political activism.
Brandeis’ International Business School Student Association hosted their fifth annual Global Gala, an event dedicated to honoring the cultures of students that comprise IBS, last Friday. Before the show started, the audience was encouraged to browse the different cultural booths that were placed around Levin Ballroom. Each displayed information such as national currency, language or notable figures about the various countries represented.
Last Friday — Groundhog’s Day Eve — Improv group “Bad Grammer” put on an excellent Groundhog Day-themed show in the Pollack auditorium. Their Facebook promotional photo showed Mitchell Redfield ’20’s face on a groundhog, and when they bounded onto the stage, they announced that they would check Redfield’s shadow when the show ended.
Women composers are notoriously little-known. Nevertheless, last Sunday the Women and Music Mix of the Women’s Studies Research Center sponsored a concert entirely of pieces composed by women. Appropriately titled “Composing Women,” this concert reflects the goal of the Women and Music Mix to study the contributions of women to music and bring knowledge of these contributions to a wider public. This concert was the fourth in a series dedicated to Alfredo and Demitra DiLuzio, the aunt and uncle of WSRC co-chair Rosalie Ripaldi Shane. The past concerts of this series were also exhibitions of female composers, but this was the first concert whose name reflected this.
Disappointment is inevitable when reading awards show nomination lists; it’s ridiculous to think that a film or a performance can win “best art.” These lists are less about honoring artistic achievements and more about recognizing valiant efforts. Ignoring for a moment the fact that these awards are determined by million-dollar campaigns and heavily biased against genre films, the nominations are still reliable indicators of quality — especially if they are determined by peers in their respective industries. Observe the recognition given by guilds: Screen Actors, Directors, Editors, Producers, Production Designers, etc. The Oscars ceremony is a culmination of these guild nominations, creating a compromise that mostly benefits the network by nominating and rewarding popular films in order to secure higher ratings.
FACE TO FACE: Recently returned astronaut Mark Vande Hei speaks with Director Damien Chazelle at the premiere of film “First Man.”
RED CARPET: The cast of “First Man” at the film’s premiere at the Smithsonian National Air and Space Museum.
2018 proved an unimpressive year for movies.
Art from Netflix's "The Ballad of Buster Scruggs."
On Friday night in The Levin Ballroom in Usdan Student Center, Club Cantonese presented their second annual cultural show. The theme this year was Jook-Sing, which is a derogatory Cantonese term for people of Chinese descent born in the West. The term is derived from the word for bamboo, using its hollowness and compartmentalized nature to suggest that foreign-born Chinese people are empty of traditional Eastern values, but are not quite Western either. Club Cantonese chose this theme to challenge the derogatory nature of Jook-Sing, choosing to take pride in their dual heritage rather than be ashamed of it.
The impression of ballet I had from years of dance classes was that of an exclusive, cold and uncaring environment. It was a culture that constantly told me, “You’re too fat to do real ballet,” “White girls are just naturally built better for ballet,” and “One bad injury and you might as well throw away your leotards.” Perfection was all that mattered. One noticeable mistake was as bad as not knowing the entire combination.
JustArts: Why don’t you tell me a little bit about your experience directing?