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Although Brandeis prides itself on holding a strong commitment to inclusivity and diversity, the athletics department has faced several allegations of racism in the past six years, most recently against the head coach of the women’s basketball team, Carol Simon.
As we enter the Final Four of March Madness, Brandeis women’s basketball has garnered unprecedented attention. A historical Monday night on April 1 featured matchups between University of Connecticut’s Paige Bueckers and University of South California’s JuJu Watkins and between Louisiana State University’s Angel Reese and University of Iowa’s Caitlin Clark, with the latter duel attracting record-breaking viewership of women’s college basketball. 12.3 million viewers tuned in to watch the Reese vs. Clark showdown in the Elite Eight, and ESPN reported that 14.2 million viewers watched the UConn vs Iowa Final Four matchup. The electric game garnered the most views of any basketball game — college or professional. Thanks to these college superstars, there are arguably more women’s basketball fans now than ever before.
It was just five years ago when Natalia Wiater ’20 (2018-2019 Managing Editor) and I — entering my term as Managing Editor — arrived on the Brandeis campus for the 2019 Brandeis University Alumni Weekend. As the 70th Anniversary of the Justice, we met with many alumni of our newspaper in the Shapiro Campus Center (SCC) office, talking about the history of our beloved publication. We talked about areas of growth the Justice experienced over those 70 years, areas where nothing had changed, and areas where the paper still needed to develop. In many ways, that weekend feels like yesterday, and reflecting on my time at the Justice brings up so many positive memories and much appreciation for how the Justice led me to where I am today.
The year was 1965 and two memorable issues were a special edition with professors debating the Vietnam war and an April fool's issue based on the National Enquirer ("the National Perspirer"), with a huge formal picture of the then famously gruff and intimidating university registrar and the headline: "Charles Duhig confesses: I am a woman!" Pretty much everyone on campus was amused, save Duhig.
Dear Editor,
I was editor in chief for the Justice during the 2020-2021 school year. It was the pandemic, which was a crazy time to be editor, but that’s not what this letter is about.
The Banque Nationale de Paris Open, otherwise known as Indian Wells, is one of the most prestigious professional tennis tournaments, just below the Grand Slam level. The Open is not only considered to be the fifth Grand Slam, but it is one of the highest-grossing, watched and fame-claiming tournaments for both men and women's professional tennis players. The official names for the men’s and women’s circuits are the Association of Tennis Professionals and the Women’s Tennis Association, respectively.
A little over four miles away from Brandeis University, in Waltham, Massachusetts, sits the 180+ acre campus of the Walter E. Fernald Developmental Center. Originally established in 1848 as the Massachusetts School for the Feeble-Minded by Samuel Gridley Howe in South Boston, the center’s inception marked a pivotal moment in the history of disability care in the United States.
On March 31, the Brandeis Asian American Student Association held its second event to celebrate Asian Pacific American Heritage Month. This year's theme of “Reflection” aims to “celebrate the efforts by our predecessors to create an hospitable and safe environment for AAPI,” an Instagram caption from BAASA’s account states. Sunday’s event included a screening of “Photographic Justice: The Corky Lee Story,” followed by a question and answer session with director Jennifer Takaki.
How does an athlete who has spent so much of her collegiate career on the sidelines have nothing but a smile on her face talking about tennis? Let’s ask Sabrina Loui ’25.
While for many on this campus it remains constantly in our minds, the recent vigil held by Students Justice in Palestine has brought the war in Gaza back into the center of discussion on campus.
In a week packed with stellar performances, senior softball player Haley Nash ’24 from Delmar, New York and graduate student Jacob Freed M’24 from Vernon Hills, Illinois have been crowned Brandeis University’s athletes of the week.
Content warning: This article includes mentions of sexual assault and harassment.
For the last two years, the student-run Instagram meme page @brandeis.chungles, commonly referred to as just “Chungles,” has graced the Brandeis community with memes relating to campus life behind a veil of anonymity. Displayed in the account's bio was the message “Face reveal at 1,000 followers.” The masterminds behind the memes would be revealed when that threshold was met.
Every year, the Women’s Studies Research Center and the Department of Music hold the “Alfredo & Demitra DiLuzio Annual Concert.” Rosalie Repaldi Shane ’66, started the concert series in honor of her aunt and uncle who raised her and her brother after they were orphaned. Her aunt, Demitra was a dramatic soprano, and her uncle, Alfredo was a music teacher. When they passed away, Rosalie and her brother started an endowment for concerts in their honor.
Center Aedan Using ’24 was selected as the 2024 University Athletic Association Men’s Basketball Defensive Player of the Year. He averaged 1.2 blocks per game and 1.2 steals per game, ranking seventh and eighth in the entire conference, respectively, alongside 6.2 rebounds per game, which ranks eleventh.
Venus
Sam Dienstag ’24, TJ Carleo ’26, Rebecca Suarez ’26, and Haley Nash ’24 earned UAA Athlete of the Week honors for the weeks of Jan. 22, Feb. 5, Feb. 11 and Feb. 25.
“What if I said I am not what you think you see?”
Two years into the Russo-Ukraine War, the University re-created the “Unissued Diplomas” exhibit, displaying students who lost their lives as a result of this invasion. The University displayed the exhibit almost one year ago, created by Ukrainian graduate student Sofiia Tarasiuk MBA ’24 and Prof. Irina Dubinina (RUS), but since the war has yet to conclude, Tarasiuk worked with Ukrainian graduate students Kamila Haieva MBA ’25 and Yuliia Stelmakh MBA ’25 to re-install the exhibit.