Tell them I stand for everything 'Emilia Pérez' does not

by Maeve Coakley | 02/11/2025

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Sudoku Solutions

  | 02/11/2025

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Weekly Whiskers

by Dahlia Ramirez | 02/11/2025

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Home video is impacting the documentary world

by Anna Martin | 02/11/2025

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The 67th Grammy Awards: Women dominate the night

by Iyla Lichtenfeld | 02/04/2025

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Carceral poetry: A declaration of agency

by Nemma Kalra | 02/04/2025

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Sudoku Solutions

  | 02/04/2025

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Weekly Whiskers

by Dahlia Ramirez | 02/04/2025

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Searching for solace in the surreal: An exploration of the Rose Art Museum’s newest exhibits

by Nemma Kalra | 01/28/2025

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Weekly Whiskers

by Dahlia Ramirez | 01/28/2025

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‘Wrongs & RIGHTS’: A curatorial exploration of the historical battle for reproductive rights

by Maeve Coakley | 01/28/2025

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‘Nosferatu:’ A ballad of eerines

by Iyla Lichtenfeld | 01/28/2025

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‘The Color of Pomegranates’: The beauty of weirdness in crafting impactful narratives

by Ani Poghosyan | 01/28/2025

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‘Clueless’: The Quintessential Teen Romantic Comedy

by Lauren Goodman | 12/03/2024

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Weekly Whiskers

by Dahlia Ramirez | 12/03/2024

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Reflections on restitution: A conversation with Dr. Alexandra Ratzlaff

by Mikey Terrenzi | 12/03/2024

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Adagio

by Vaughn Alnot | 12/03/2024

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Freedom and fear: An artistic exploration

by Nemma Kalra | 11/19/2024

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Margaret Oliphant’s ‘The Doctor’s Family’

by Julia Hardy | 11/19/2024

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Crossword: Brandeis in a Few Words

by Noa Apple | 11/19/2024

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