Student visual art exhibits range of styles
If you walk into the Dreitzer Gallery in Spingold Theater, you will see walls covered with a variety of art, from self-portraits to landscapes to still-life paintings and everything in between.
If you walk into the Dreitzer Gallery in Spingold Theater, you will see walls covered with a variety of art, from self-portraits to landscapes to still-life paintings and everything in between.
With the riff of a piano, four comedians excitedly ran onto the stage of the Shapiro Campus Center Theater.
Friday was the first of the two nights of the 16th annual Sketch Comedy Festival, featuring opening acts by Skidmore College’s Sketchies and Yale University’s Fifth Humor, and Brandeis’s beloved Boris’ Kitchen. The Sketchies opened with a few humorous sketches.
The Bernstein-Marcus sit-in that went on for 12 days in late November and early December of this year drew inspiration from other movements, most obviously from the movement that took place in Ford Hall in 1969.
“You stupid kite, come down out of that tree!” The large crowd huddled in the top floor of the Rose Art Museum was completely silent as Tony Arnold echoed these words from the bottom of the stairs.
The walls of the Kniznick Gallery of the Women’s Studies Research Center are now embellished with black-and-white photos of elements from nature and pedestals topped with earth-colored abstract sculptures. This past Friday was the opening of “Tea of Oblivion,” an exhibition encompassing the artwork of ceramic artist Heidi Lau and photographer Megan Ledbetter. The exhibition is based on an old Chinese folktale about Meng Po, the goddess of reincarnation.
On Friday night, a crowd gathered in the Lois Foster Gallery of the Rose Art Museum where the walls were adorned with several oil paintings depicting the female body.The audience was awaiting Mallory Ortberg, a writer and comedian who would review “The Brood,” an exhibition currently on display in the gallery that surveys the most defining creative moments from 25 years of painting by American artist Lisa Yuskavage. The program began with an introduction from Betsy Nelson, collections assistant at the Rose.
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